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| Nalanda Digital Library has converted around 29 short stories of Manupassant into pdf format for easy reading and better portability as a part of E-Text Conversion Project (ECP). All the 29 stories are bundled together and can be accessed from here. Writers some more titles will be added soon |
| Guy de Maupassant (1850-1893) in full Henry-René-Albert-Guy de Maupassant "Now listen carefully: Marriage, to me,
is not a chain but an association. I must be free, entirely unfettered,
in all my actions -my coming and my going; I can tolerate neither control,
jealousy, nor criticism as to my conduct. I pledge my word, however,
never to compromise the name of the man I marry, nor to render him ridiculous
in the eyes of the world. But that man must promise to look upon meas
an equal, an ally, and not as an inferior, or as an obedient, submissive
wife. My ideas, I know, are not like those of other people, but I shall
never change them." (from Bel Ami, 1885) In his teens Maupassant was shown, by the poet
Algernon Swinburne (1837-1909), a mummified hand. He used this haunting
image in his early short story 'La Main Ecorchée (1875). In 1869
Maupassant started to study law in Paris, but soon, at age 20, he volunteered
to serve in the army during Franco-Prussian War. After his return to
Paris, Maupassant joined the literary circle of Gustave Flaubert. He
was a friend of Maupassant's mother's friend, and introduced him to
some of the leading writers, among them Émile Zola, Ivan Turgenev,
and Henry James. From Flaubert, who was obsessed with the writer's craft,
Maupassant learned the exactness and accuracy of observations, and balance
and precision of style. Between the years 1872 and 1880 Maupassant was
a civil servant, first at the ministry of maritime affairs, then at
the ministry of education. As a poet Maupassant made his debut with
DES VERS (1880). In the same year he published in the anthology Soirées
de Medan (1880), edited by E. Zola, his masterpiece, BOULE DE SUIF (Ball
of Fat, 1880). The story is set during the Franco-Prussian War. A well-known
prostitute, nicknamed 'Boule de Suif', is traveling in a coach with
bourgeois fellow passengers. They are detained by a Prussian officer
who will not allow the coach to proceed until Boule de Suif gives her
to him, which she refuses on principle to do: "Kindly tell that
scoundrel, that cur, that carrion of a Prussian, that I will never consent--you
understand?--never, never, never!" However, the other passagers
start to get bored and press her to yield to the officers demands. After
swallowing her pride she spends a night with him and in the morning
she is treated by the group as if she had been infected with some deadly
disease. It has often been said that the American director
John Ford borrowed the plot to his film Stagecoach (1939). Ford knew
the story, but Ernest Haycox's character study 'Stage to Lordsburg'
served for the director as the framework for his famous morality play.
Partly for commercial reasons the Stagecoach team hide their 'arty'
source. In the film a group of people travel by stage to Lordsburg,
passing through Indian territory. The socially respected passengers
turn out to be hypocrites, thieves, and unworthy characters, whereas
the outsiders win their faults or show bravery and compassion. Claire
Trevor played the good-hearted prostitute Dallas and John Wayne in the
role of the Ringo Kidd was catapulted to stardom. During the 1880s Maupassant created some 300
short stories, six novels, three travel books, and one volume of verse.
In tone, his tales were marked by objectivity, highly controlled style,
and sometimes sheer comedy. Usually they were built around simple episodes
from everyday life, which revealed the hidden sides of people. On several
occasions were narrated in the first person or were tales told by a
named character. In 'The Jewels of M. Lantin' the chief clerk of the
Minister of the Interior, marries the daughter of a provincial tax collector.
He is unbelievably happy. She has only two small vices - her love of
the theater and her passion for artificial jewels. One wintry evening
she comes from the opera shivering with cold and a week later she dies.
Lantin is haunted by his memories, and plunges into poverty. He takes
her necklace to a jeweler who tells that it is very valuable. Lantin
has believed that his wife's jewelry were fakes because she could not
have purchased valuable items. He realizes that they were gifts and
the truth makes him weep bitterly. Among Maupassant's best know books is UNE VIE
(A Woman's Life, 1883), about the frustrating existence of a Norman
wife, BEL-AMI (1885), which depicts an unscrupulous journalist. PIERRE
ET JEAN (1888) was a psychological study of two brothers. The novel
was thought to be immoral because the hero succeeds by doing wrong.
Maupassant's most upsetting horror story, LE HORLA (1887), was about
madness and suicide. The nameless protagonist is perhaps a syphilitic.
In the beginning of the story the narrator - a prosperous young Norman
gentleman - sees a Brazilian three-master boat flow by his house. He
salutes it and the gesture evidently summons the Horla, and invisible
being. The Horlas are cousins of the vampires and their advent means
that the reign of man is over. Our narrator eventually sets fire to
his own house, to destroy his Horla, but his servants die in the fire.
He realizes that his Horla is still alive and decides to kill himself.
Maupassant had suffered from his 20s from syphilis.
The disease later caused increasing mental disorder - also seen in his
nightmarish stories, which have much in common with Edgar Allan Poe's
supernatural visions. Critics have charted Maupassant's developing illness
through his semi-autobiographical stories of abnormal psychology, but
the theme of mental disorder is present in his first collection, LA
MAISON TELLIER (1881), published at the height of his health. Maupassant's
horror fiction consists of some 39 stories, only a tenth of his total.
Recurring theme in these is madness: 'A Night in Paris' is a paranoid
nightmare: its narrator feels compelled to walk the streets, in 'Who
Knows?' the narrator sufferers from delusions about the furniture of
his house, 'A Madman' is a story about a judge, who commits murder,
just for the experience, and condemns an innocent man to death for the
crime. 'The Inn' has much similarities with Stephen
King's famous novel The Shining. Maupassant describes two caretakers,
living in the French Alps in an remote inn, which is surrounded by snow
six months and unreachable. When the older caretaker goes missing, the
younger in his loneliness loses his reason. 'The Hand', about a severed
human hand which, despite chained up, escapes and strangles its owner,
has inspired several writers and movie directors (1946, dir. by Robert
Florey; 1960, dir. by Henry Cass; 1981, dir. by Oliver Stone, from the
novel The Lizard's Tail). "Monsieur de Maupassant est certainement
un des plus francs conteurs de ce pays oú l'on fit tant de contes,
et de si bons. Sa langue, forte, simple, naturelle, a un goût
de terroir qui nous la fait aimer chèrement. Il possède
les trois qualités de l'écrivain français: d'abord
la clarté, puis encore la clarté, et enfin la clarté.
Il a l'esprit de mesure et d'ordre qui est celui de notre race."
(Anatole France, la Vie littéraire, tome Ier, 1888) |
National Institute of Technology kerala, India
nalanda@nitc.ac.in